© Dior

© Dior

© Dior

New York · Fine Jewelry · Dior · 21 East 57th Street

Dior Joaillerie

In the garden of Les Rhumbs — Christian Dior's childhood home on the Normandy cliffs above the sea — the paving stones bore a compass rose in mosaic, rendered in shades of blue to mirror the changing ocean below. That compass has been guiding Dior Joaillerie since 1998. It still points in every direction at once.


Granville · 1905 · The Garden That Built A House

Christian Dior was born in 1905 in Granville, a seaside town on the Normandy coast. The family home, Les Rhumbs, was a Belle Époque villa set among cliffs above the English Channel, surrounded by a winter garden of botanical abundance — roses, hydrangeas, hollyhocks — that Dior would reference throughout his career as a couturier. Embedded in the garden's paving stones was a mosaic compass rose, its points rendered in ocean blues. The rose, the star, the compass, and the sea — these four motifs appeared repeatedly in Dior's couture collections, as embroidery, as architectural structure, as recurring visual obsession. In 1950, the architectural plan of an entire evening gown was organized around the star form. The garden of Granville did not merely inspire Dior. It provided the vocabulary he spent his life translating into cloth and eventually into gold.

Victoire de Castellane was appointed artistic director of Dior Joaillerie in 1998 — the year the house launched its first fine jewelry collection. She has held the position since, making her one of the longest-tenured creative directors in luxury jewelry. Her approach has always been to immerse herself in Monsieur Dior's personal history and to find within it the formal language for each new collection. Rose des Vents began as an act of archaeological imagination: what did the compass in the garden mean to the man who grew up beside it?


Rose des Vents · 2015 · The Compass As Talisman

Rose des Vents — the wind rose, the compass — was launched in 2015 as Victoire de Castellane's translation of the Granville garden into fine jewelry. The collection's central object is a double-sided miniature gold medallion: on one face, the eight-pointed wind rose in pavé diamonds, its points referencing both the compass of the garden and Monsieur Dior's lucky star. On the other face, an ornamental stone — each one unique, gleaming in pearlescent, pink, blue, or green, selected individually for its particular quality of light. The medallion's edge is encircled by a gold ring of beading inspired by a sailor's knot, nodding to the proximity of the sea. It can be worn as a pendant, attached to a bracelet, or integrated into earrings. Victoire de Castellane describes the collection as "a metaphor for creation — to seek, to turn in circles, then find your cardinal direction and depart on a journey." In 2025, Rose des Vents celebrates its tenth year, still expanding with new pieces that hew close to the spirit of its origins.

Rose des Vents · The Medallion
Double-sided · Diamond wind rose · Ornamental stone · Yellow, pink or white gold

The Rose des Vents medallion is one of the most technically demanding pieces in Dior Joaillerie — both faces require independent and precise craftsmanship, the diamond-set wind rose on one side and the unique ornamental stone on the other. Each stone is chosen individually for its color and luminosity: no two are identical. The medallion is worn as a necklace, as a bracelet charm, or integrated into earrings — a versatility built into the design from the beginning. A talisman as much as a piece of jewelry, intended to protect and accompany rather than merely to adorn.

Étoile des Vents · 2024 · 30 Avenue Montaigne
2024 · Star motif · Pink gold · Diamonds · Homage to the Dior flagship address

Launched in 2024 as a new chapter within the Rose des Vents family, Étoile des Vents reimagines the compass star motif as a glittering homage to 30 Avenue Montaigne — the address of the Dior couture house in Paris. The star appears in pink gold and diamonds, in single earrings and in a constellation-inspired necklace. A piece that connects Granville, where the original compass was embedded in stone, to Montaigne, where the couture house built its permanent address. The same star, fifty years apart, in two different materials.

Oui · The Declaration
Gold · Diamonds · "Oui" in Christian Dior's own handwriting

The Oui collection takes its form from Christian Dior's own handwriting — the word "oui," yes, rendered in gold exactly as he wrote it. A declaration made material: a ring, a necklace, a bracelet, each carrying the founder's script in precious metal. The piece for those who understand that in the Dior vocabulary, "oui" is not merely an affirmation. It is the word with which Dior answered his atelier, his clients, and eventually his own creative impulse. Diamond-set versions amplify the script with light. The plain gold versions let the word hold the room on its own.

Archi Dior · Couture As Architecture
Couture-inspired · Sculptural · Geometric · The structure of the New Look

Archi Dior draws from the architectural principles of the New Look — the nipped waist, the structured shoulder, the precise articulation of volume that Dior's 1947 collection imposed on postwar fashion. Victoire de Castellane translates these couture geometries into jewelry: rings with architectural profiles, bracelets whose structure echoes the construction of a Dior jacket. The collection is the most formally demanding in the Dior Joaillerie portfolio — pieces that require understanding the couture reference to be fully read. For those who know the house deeply, Archi Dior is the most personal declaration available in fine jewelry.

Bois de Rose · The Garden Stem
Rose stem motif · Gold · Elegant simplicity · Ring, bangle, necklace

Bois de Rose — rosewood, the stem of the founder's favorite flower — is the most restrained collection in the Dior Joaillerie portfolio. A gold band that suggests the stem of a rose: the same botanical reference that governed the couture collections, now rendered in the simplest possible jewelry form. It is the collection for those who want the Dior vocabulary without its most elaborate expression — a piece that speaks quietly to those who know where it comes from, and is simply beautiful to those who don't.

High Jewelry · Victoire de Castellane · The Annual Collections
Exceptional stones · Couture imagination · One-of-a-kind · The apex of the atelier

Dior's annual high jewelry collections represent Victoire de Castellane at her most unconstrained — compositions built around exceptional colored stones, rare diamonds, and the full vocabulary of the Dior couture archive, interpreted as wearable sculpture. The collections draw from specific chapters of Monsieur Dior's history, his travels, his superstitions, his botanical obsessions. Each is a limited production of singular pieces. They are the reason Dior Joaillerie exists as a creative force in the fine jewelry hierarchy — not because they generate the most revenue, but because they demonstrate what the atelier is capable of when given complete creative freedom.


In the garden of his childhood home in Granville,
the paving stones bore a compass rose in mosaic —
blue as the ocean below the cliffs.
Christian Dior spent his life translating that garden
into couture. Victoire de Castellane
has spent hers translating it into gold.


Victoire de Castellane · 1998 · A Creative Directorship Unlike Any Other

Victoire de Castellane was appointed artistic director of Dior Joaillerie in 1998, at the age of thirty-one, having previously worked at Chanel under Karl Lagerfeld. She had no formal training in jewelry. What she brought instead was an imagination shaped by fashion — by the logic of season and collection, by the understanding that a garment tells a story across multiple pieces, by the conviction that a jewelry collection should have a narrative as rigorous as a couture défilé. She has held the position for over twenty-five years, producing new fine jewelry and high jewelry collections each season, each one rooted in a specific chapter of Christian Dior's personal history. It is one of the longest and most consistently creative tenures in contemporary luxury. The work she produces is unmistakably hers — fantastical, informed by history, technically precise, and entirely free of the conservatism that governs most fine jewelry design.


New York · 21 East 57th Street · The Dior Boutique

Dior Joaillerie is presented at the Dior boutique at 21 East 57th Street, in Midtown's most concentrated luxury corridor. The full fine jewelry range — Rose des Vents, Étoile des Vents, Oui, Archi Dior, Bois de Rose, and the DiorTribales earrings — is available alongside the high jewelry pieces, which are presented by appointment. New York is one of Dior Joaillerie's most significant markets — a city whose appetite for jewelry with a narrative, with a formal logic, with a story to tell beyond the quality of its stones, aligns naturally with what Victoire de Castellane has been building since 1998. The compass on the garden floor in Granville points in every direction. In New York, one of them leads to 57th Street.

Dior Joaillerie · New York · 21 East 57th Street

21 East 57th Street · New York, NY 10022
Rose des Vents · Étoile des Vents 2024 · Oui · Archi Dior · Bois de Rose
DiorTribales · La D de Dior · Mimirose · High Jewelry by appointment
Victoire de Castellane — Artistic Director, Dior Joaillerie since 1998
Inspired by Les Rhumbs, Granville · Dior Joaillerie founded 1998
dior.com/en_us/fashion/jewelry-timepieces

Christian Dior grew up beside a garden
where the paving stones pointed in eight directions.
He spent his career navigating between them —
between the rose and the star, the couture and the sea.
Victoire de Castellane has spent hers
turning those directions into gold.

© Dior

© Dior

© Dior

© Dior

© Dior

© Dior

© Dior

© Dior

© Dior

© Dior